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The beauty of British Columbia's flora and fauna captured through the eye and lenses of the world's greatest amateur photographer and conservationist.



June, 2nd, 2015

In an attempt to educate, spark discussion, and further our development as a people, CLF is focusing on the very divisive issue of backpack fascism.





The Flag of Fascism.Photo:wikipedia.org

The Modern Fascist Uniform.Photo:wikipedia.org

Mussolini's Blackshirts.Photo:wikipedia.org





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April, 23rd, 2014



December, 1st, 2014

Nowadays, skateboarding is riddled with generic run of the mill pros with no soul or life to them(Read Mike Mo). But, thankfully, there are a few select few like Jereme Rogers, who not only kill it on a skateboard they also kill it in real life. CLF didn't sit down with Jereme Rogers for an interview, because we dont have his phone number. Thankfully, Mr. Rogers was gracious enough to give us the following quote.









October, 14th, 2014

Master craftsmen, color-coordinator, warehouse manager, the owner of small miniature replica furniture chairs, and one H. E. double hockey sticks of a skateboarder and great person: he is Mikey Leblanc. CLF sat down with Mikey Leblanc to see how life is treating him...and try to get the day off, several times.








Leblanc: You ok buddy?

CLF: I was just writing you an email. I slept in and don’t have your number cuz I reset my phone last week. Would it be chill for me to have the day off?

Leblanc: ya, it’s all good just wanted to make sure you’re okay.

CLF: J-Walkered [it]. On my way now.

CLF: Yo bro

Leblanc: What’s up?

CLF: I was lurking _____ distribution Instagram and noticed Mike York was trying to hit us up to distribute Roller Horror. Do you know if he got shot down? I want one of the regular decks, but I don’t wanna pay full price if we’re getting them in.

Leblanc: Meant to text you last night. Not happening.

Leblanc:

Pick this for Wes.

CLF: Just a heads up; probably not gonna be in tomorrow. Depends how my ankle feels after this 11k walk.

Leblanc: For sure buddy.

CLF: Password is olives

Leblanc: hahahaha. I already did it when I woke up earlier. Made me laugh.

CLF: I slept in, got in late from camping & had to take _____to the ferry last night. Is it busy, you need me to work?

Leblanc: You can take the day off if needed.

Leblanc: Sleeping in on your first day of inventory job?

CLF: Fuuuuuuuuurked up!

CLF: Two bearings exploded by Take 5 trading. I’m going to be superlate.  :            


Leblanc: That’s what happens when you ride in the rain.

Leblanc: JK

CLF: Car accident on Powell

CLF: Traffic & buses are dicked.

July, 4th, 2014

Visionary, Cabela's customer,skateboarder, rigpig; Benjamin Arthur Holzer Greengrove can rest his hat upon many titles, but, the title which suits him the most, brud, truly sums up the man's character. We sat down with Ben for a short interview to find out what goes on in the mind of a Greengrove and re-edited some of his classic footage for our CLF viewers.







The complex Greengrove nosegrind.Photo:Louis Feller

                     

Ben: Dude, you drop a new radio?

CLF: Yeah

Ben: what's the link?

CLF: It's in the rss feed. /clfradiotwo.mp3

Ben: Haha, wow.

CLF: Happy Birthday pumpkin, fuck I just got high

and skinned a dead bird for 45 minutes.

Ben: That's dirty haha, let me know if you need

anymore info on that product or sizes or anything.

CLF: That's probably cool, I'll do them tomorrow morning.

Who should I send credits to?

Ben: I dunno. Adam $%^&@#%.

Ben: Dude, so much archery last weekeend learned so much

and missed a fat grouse by like an inch.

CLF: Siiiiiiiiiick.

Ben: Haha, holler a couple units my way next week.


The statements of Greengrove.Source: youtubes.com


           

CLF: What size? 7.62? 8.38? 8? 7 13/16?

Ben: Like 8 or 8 1/8 girl unit. Probably need two.

CLF: G23?

Ben: Whatever the Koston is, setting up a wall board for today.

You got big gay Al's number?

CLF: No, he's up in Nelson on a trip with AJ, Coco, and Cam.

Ben: Haha, is he tom yet or what? TM. Ohh yah.

CLF: What address?

Ben: Frig, don't worry bout it for no I gotta go up north

    to the middle of [expletive deleted] knowers tomorrow.

CLF: How's Berta bro?

Ben: Pretty Dicked, start a new job in Grand Prairie tomorrow.

Drilling holes and building roads for fuckin frackers.

CLF: Sick, Dark Flavour country. You gonna need boards in GP?

Ben: Hah defiantly not, I work 12 hour days 21 in a row.

No time for anything but eating, [expletive deleted], sleeping, and working.

Ben Greengrove exhibits a wallride outside of the local Price Smart.Photo:Louis Feller


 :            

CLF: Man's work. You should slang DVS shoes to your coworkers.

Ben: Haha, yeah if they made 8" CSS approved steel toes.

It's pretty nuts they pay for me to stay in a hotel every

night and give me 50 bucks daily ($1100) for food for the 3 weeks im working.

CLF: CSS? Cascading style sheets?

Ben: CSA hah. Canadian safety approved. Everybody rocks RDS it's ridiculous.

CLF: Too berta brud?

Ben: I'm coming to Van tomorrow morn.

Frig off. Oh yeah. Believe that. Can't wait for a mauler.

CLF: How is working in the Bert?

Ben: Pretty dicked at first but I'm on a dump truck now so it's chill.

CLF: Like you're standing on a dumptruck or driving one?

Ben: Yeah, standing on one.

CLF: Sick, so relatively close to skateboarding.

Ben: There's a pretty dope park here. Is it next level.

CLF: Are you asking me if the park is next level?

Ben: Ya. I'm sure it is.

CLF: Well then, the park is next level. Are you pleased with your move?

Ben: It's alright. I made 3600 on my last 2 week cheque.

CLF: Any shoutouts?

Ben: I just passed a black bear shout outs to that.

CLF: Friggin rights buds! Interview will be up tonight, any last words?

Ben: Fuck.

Ben Greengrove Back Nose.Photo: Louis Feller

June, 25th, 2014

In an attempt to educate, spark discussion, and further our development as a people, CLF is focusing on the very divisive case of George Stinney Jr. Feel free to continue the discussion on the thread in our forum.




The Complex Network that was the Slave Trade.Photo:Slaverysite.com

George Stinney in 1947

Passiflora incarnata. Photo: Greenlandgardener.com


The warrant for the teenage boy's arrest.

Stinney's Fingerprints.

The death sentence handed down to Stinney.

Letter from Gov. Olin D. Johnston to local Clergy
denying pardon for Stinney on grounds of sexual assault & murder.

Witnesses recall the day in question.






  • June, 24th, 2014

    Few musical artists have attained a state of greatness, in the eyes of their fans and critics, in the same way that Matthew Storm has. The Canadian born singer-songwriter, guitarist, keyboardist, drummer, triangalist, and frontman of Ree, has always been captivated by the many intricacies of music creation. Today, CLF sits down to get inside the mind and soul of Matthew Storm, or, as he is more affectionately known, Matt Sturm.




    CLF: You jome? Homr?

    Swag

    Matt Sturm: Yes upstairs.

    Matt Sturm: Sup im at wrk. I’ll be home around 6

    CLF: Well way to step your game down {expletive deleted}

    Matt Sturm: Haha yaya u bastid I think Bill’s home if you want to chill.

    CLF: What is up Duke Ellington?

    Matt Sturm: Just got home.

    CLF: Sure…Fuuuuuuuuuuuuuuucked up.

    CLF: You at work {expletive deleted}?

    Matt Sturm: Nah, I’m home you coming through?

    Swag

    CLF: Yeah Buddy! Nothing but a peanut.

    Matt Sturm: Okay, are you here?

    CLF:Nah I left.

    CLF: Yo word up dawg. Cold chilling? Hey you piece of shit. This isn’t a

    socialist Cuban sugar plantation you fuck. RSVP

    Matt Sturm: Yo son! I’m baking. U commie {expletive deleted}.

    CLF: I heard Ben had a tummy ache today?

    Matt Sturm: What a bitch. You still in the hood.

    CLF: I await your reply

    Matt Sturm: Sorry, I’m golfing. I’m thinking 8 o’clock.

    CLF: Hola mi amigo! Si, senor Benjamin presentada la fuego.

    CLF: You making a lot of money off of music?

    Matt Sturm: Only 50 bucks swag!

    CLF: Yolo!

    Matt Sturm: Yaup




    Matt Storm- "Wait and See"





    ChicStorm
    Post Secondary


    CLF: Stermen Meyer, Yo brah.

    Matt Sturm: Yo, what’s up?

    CLF: Okay?

    Matt Sturm: Yaup

    CLF: You at the crib?

    Matt Sturm: Yaup, coming through?

    CLF: Yaup

    Matt Sturm: Come downstairs.

    CLF: En route.

    CLF: At home?

    Matt Sturm: Je suis a la maison

    CLF: Tu es la casa?

    Matt Sturm: Si Senor. I’m going to the store.

    CLF: Who was the killer in the movie?

    Matt Sturm: Ya, it was the chick. Good job you must be in post secondary.

    ChicStorm
    Swag

    CLF: You, you got what I need?

    Matt Sturm: Ya! Can you buy me a tool? How much are they? If they are a rip off, just snatch up some allen keys and shit. Swag.

    CLF: Royal Keychain tool: $7.50, Spitfire T3 Tool: $7.50, Chocolate flat skate tool: $7.50?

    Matt Sturm: The most G one will do. Ben owes me 5 dollars.










    Matt Storm- "Aint no Sunshine."

    CLF: Are you setting up a new board?

    Matt Sturm: Yeah, a new Dustin Locke hand me down.

    CLF: The T3 will suit your needs. What are your thoughts on the state of the music industry?

    Matt Sturm: The music industry is the club industry

    Swag

    CLF: What is your favourite club? Car theft preventer, turkey club, chess club, seal club?

    Matt Sturm: Baby Seal clubbing looks like a good time. Canadian tradition.

    CLF: So, I’ve always known you as a “music guy”. What first sparked your interest in the audible arts?

    Matt Sturm: Stumbled upon a Spin Doctors album as a young boy. Pocket full of kryptonite got me off. Are you with Ben?

    Tell him to call clay about the house we peeped.

    CLF: What house?

    Matt Sturm: The one at Brentwood.

    CLF: I told him. So which musical instrument would you say you’re most proficient at?

    Matt Sturm: I’m an axe man. Tell Ben to get rent and try not to be a {expletive deleted}.

    CLF: The axe is a quite formidable musical tool. Did you ever play Golden Axe? Are you a fan of Chuck Berry or BB King?

    Matt Sturm: Haha, I actually think I remember that game, sick game! Can’t say I listen to much Chuck Berry, but old BB King is my shit.

    CLF: What’s the name of your band? What do you hope to achieve with it?

    Matt Sturm: It’s called Ree, who is this?

    CLF: Wow, way to end an interview buddy. You sir are out of it.

    Matt Sturm: Rap Game Phil Collins.





     November, 30th, 2013




                    A Truly crucial leap in the gradual hominin evolutionary transformation into common Homo

    sapiens sapiens was the move from quadripedalism to bipedalism. A complete change would take

    place with regards to the locomotion method of some members of the Hominin family. Along with this

    switch in hominin locomotor evolution came costs and advantages: changes in anatomy and an increased

    tax on the systems of these newly bipedal organisms. The switch from quadrapedalismto bipedalism did

    not only manifest changes in hominin morphology, it naturally manifested changes in the evolution of

    human behavior. The evolution of hominin culture is directly tied to the moment bipedalism first took

    early hominins out of their arboreal habitat and forced them to use the terrestrial style of locomotion

    used by current extant hominins. By comparing and contrasting two recent academic journal articles:The

    Metabolic Cost of Walking in Humans, Chimpanzees, and Early Hominins and Locomotion and Posture

    from the Common Hominoid Ancestor to Fully Modern Hominins, with Special Reference to the Last Common

    Panin/Hominin Ancestor, one can attain a significant amount of knowledge regarding the evolution of

    terrestrial bipedalism and the costs that this mode of locomotion had on hominin life forms physically,

    behaviorally, and culturally. While the two articles differ on distinct issues regarding the evolutionary

    processes leading to bipedalism, both clearly detail that the selection of hominin bipedalism may possibly

    have been the most significant item in the evolution of hominins both physically and behaviorally.



         

                    Initially, the two journal articles have similarities in some areas of their analysis. Both Pontzer et al and

    Crompton et al agree that terrestrial bipedalism is a more energy efficient mode of locomotion

    (Pontzer et al, 2009; 45) (Crompton et al, 2008; 511). Therefore, it is only natural that human bipedalism

    became the selected evolutionary trait. This transformation of locomotion techniques would free up the use

    of the fore limbs which could then be used towards aspects other than transportation. This key advantage of

    bipedalism significantly affected the behavior and culture of early hominins. This is due to the fact that the

    forelimbs could now be used to carry items long distances, create and use tools, transport the young, and

    whatever else these early hominins could imagine. Behavior patterns and culture would have to evolve to allow

    for the transmission of these new traits to future generations. Pontzer et al and Crompton et al additionally

    both agree that the evolutionary move to bipedalism coincided with a gradual move away from an arboreal way

    of living and towards a more terrestrial form of habitation(Pontzer, 2009; 44) (Crompton et al, 2008; 510-511).

    This move in habitation, from arboreal to terrestrial, would change hominin behavior; the first bipedal hominins

    would naturally begin to travel farther distances in search of food sources and develop varied subsistence

    strategies which would eventually evolve towards the more nomadic lifestyles of later hominins like Homo

    neanderthalensis. Logically, a change to orthograde bipedalism would require changes to the physical anatomy

    of early hominini. Pontzer et al and Crompton et al mutually agree that morphological changes would have to

    have taken place to provide for bipedalism and notably they both often refer to BHBK or bent hip bent knee a

    defining factor in bipedal hominins(Pontzer et al, 2009; 56)(Crompton et al, 2008; 508). Additionally Crompton

    et al goes into great detail regarding morphological changes to the femur, metatarsals, pelvis, etc

    (Crompton et al, 2008; 507-510,533-535). Data from extant Hominidae is used by both studies to support their

    particular theories regarding bipedal evolution, particularly with regards to that of orangutans and chimpanzees

    (Pontzer et al, 2009)(Crompton et al, 2008).



                    The main contrast found between the two articles, regarding bipedal hominin evolution, is the question of what

    form of locomotion was the most recent predecessor to common hominin bipedalism. Crompton et al stressed that

    current hominin bipedalism was derived from the branch suspended bipedalism of early hominins with locomotion

    traits similar to orangutans and chimpanzees of today (Crompton et al, 2008; 509,511). Basically, Crompton asserts

    that early hominin’s need to reach the food sources that were located in the tree canopy translated into arboreal

    bipedalism which, in turn, translated to terrestrial bipedalism. However, Pontzer et al disagrees with Crompton and

    believes the preceding locomotion method to terrestrial bipedalism was in fact quadrapedal knucklewalking like that

    of the common great ape the Gorilla. Pontzer cites taxonomic similarities between humans and extant quadrapedal

    knucklewalkers along with post cranial similarities to support his team’s hypotheses (Pontzer et al, 2009, 45).

    Crompton, on the other hand, states quadrapedal knucklewalking was likely the predecessor to arboreal bipedalism

    (Crompton, 2008; 533). His reasoning is that displacement from natural deforestation forced knucklewalkers into the

    tree canopy to find additional sources of food which in turn led to flex hip flex knee habits from vertical

    climbing(Crompton, 2008;533). These “flex hip flex knee” skeletal differences lead to a body more equipped for

    arboreal bipedalism. Although these ideas on bipedal evolution are highly differing, both articles clearly show

    the advantages that terrestrial bipedalism had on the cultural and physical evolution of hominins.



                    Both studies do an exceptional job of detailing the evolution and the costs and advantages that bipedalism had on

    the physical and behavioral aspects of hominin evolution. The extensive use of empirical data for support of their

    hypotheses does much to strengthen their arguments, but, one may wonder how accurate can it actually be if both

    articles use data from extant primates to supplement data for extinct hominin species. Unfortunately, with subjects

    such as these the only option is to use the closest living relative to produce the best approximate data regarding

    these extinct hominins. Regardless, it is vital to notice that hominin development evolved a highly advantageous form

    of locomotion that enabled tool use, carrying of items, and the dispersal of hominin populations, as well as being a

    more cost efficient method of transportation. The importance of hominin bipedalism is not in what it evolved from,

    but in what it enabled later hominins to evolve into. You little bitch.


    References

    Crompton, R.H., E.E. Vereecke, and S. K. S. Thorpe. 2008 Locomotion and Posture from the Common Hominoid Ancestor to Fully Modern Hominins, with Special Reference to the Last Common Panin/Hominin Ancestor. Journal of Anatomy 212(4):501-543.

    Pontzer, Herman, David A. Raichlen, and Michael D. Sockol. 2009 The Metabolic Cost of Walking in Humans, Chimpanzees, and Early Hominins. Journal of Human Evolution 56(1):43-54.






     September, 12th, 2013




                    Margaret Atwood is one of Canada's most notable

    literary figures. She has been nominated for various literary

    awards, which comes as no surprise seeing as Atwood takes to any

    narrative with much aplomb. Her skillful wit and her ability to

    build dynamic rounded characters is unmatched. Here at Capturing

    Lost Footsteps, we applaud Margaret Atwood not only for her

    literary prowess, but, more so, for her conservationist and

    naturalist tendencies. Atwood weaves the natural

    world into her work and creates scenery which rivals the

    likes of even Thoreau. Atwood's use of wildlife and the

    natural world as representations of her human characters

    displays the pulchritude of nature, all while connecting

    humanity to its wild roots.

    Atwood with another of Capturing Lost Footsteps honoured citizens: David Suzuki
    In this instalment of CLF's Articles, Margaret Atwood's Wilderness Tips is examined for its rich bird references. In Wilderness Tips, four siblings and a brother in law enjoy a sordid stay at a rural cabin known as Wacousta Lodge. Atwood, rather effectively, builds up the five characters using a third person omniscient point of view and in no time the reader is entrenched in the personal conflicts of each individual and the dynamic of the group. Although many allusions and types of symbolism can be found all throughout Wilderness Tips, particularly noticeable are Atwood's bird references.
         In Wilderness Tips, Atwood draws a connection between her female characters and three bird species. There is a definite connection between the three women and the three taxidermy bird specimens in Wacousta lodge and Atwood makes reference to the three birds early on: "Pamela is complaining again about the stuffed birds. There are three of them, kept under glass bells in the living room: a duck, a loon, a grouse." The three bird specimens are representations of the three female characters. Pamela, the lone shabby intellectual, is the grouse, Prue is the wild loon, and Portia is represented by the banal duck.
       Pamela's slab-like rectilinear shape and her grassy hair mimic the appearance of a wild grouse; Atwood even describes Pamela in the following way: "Her hair is the color of dried grass". (Atwood, 45) Later on in the story George's character ponders over Pamela's graceful neck and throat.(Atwood,50). These traits are consistent with grouse species in Canada, like the sage grouse, and their graceful neck plumage. Pamela holds her head high and stares off in the distance, much like the behaviour of a proud grouse.
    The Loon is representative of Prue, the Loon is often a symbol of nature and the wilderness. It's likely Atwood chose the loon due to it being a common Canadian icon and the provincial bird of Ontario. Prue has a "bandana around the neck" consistent with a loon's markings, a black over the shoulder dress consistent with a loon's black back, and wide legged white shorts consistent with a loon's belly. Atwood references the loon later in the story: "She scowls at the glass loon in its glass bell."(Atwood, 50). This is at a point where Pamela is upset with Prue and her inability to follow through with things. Pamela is not just scowling at the loon, Pamela is scowling at Prue who the loon represents. In literature, the loon is also known for its clamour and wild nature. Thoreau commented on this in Walden : "In the fall the loon (Colymbus glacialis) came, as usual, to moult and bathe in the pond, making the woods ring with his wild laughter before I had risen."(http://thoreau.eserver.org/walden12.html) Prue is certainly the wilder of the three characters and the most vocal, so, her character mimics that of a loon not only through appearance, but, through character as well. One of the most notable quotes that alludes to the connection between the loon and Prue is found later on: "Prue, who'd dredged him up from God knows where and was flaunting him around like a prize fish."(Atwood, 51) The fact that the loon is a diving bird that feeds on fish can not be overlooked in this context.

    Finally, the duck is a representation of Portia's character. The duck is commonplace, unlike the grouse, and quiet compared to the loons howl. Simple, and mild mannered it appears more adaptable than the other two birds. It's commonplace, temperate behaviour represents conservatism, tradition, and purity. Portia also embodies all of these traits.
    George is simply a vulture.
    Wilderness Tips is just another example of Margaret Atwood's proficiency as a writer. With great subtlety, Atwood arranges references to the natural world that work together to create a story that bleeds wilderness and is drenched in the wild nature of what we call humanity. Huzzah! Margaret Atwood. Huzzah!



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